Tali Keren is a multidisciplinary artist and filmmaker working across experimental documentary, performance, and installation. Her practice examines the often invisible mechanisms of empire, tracing how ideology takes form through law, infrastructure, and theology. Working with video, sound, archival research, and alternative mapping, she translates these systems into visual and narrative experiences grounded in lived knowledge across human and more-than-human worlds.
Rooted in collaboration, pedagogy, and cross-disciplinary dialogue, Keren’s work aims to forge new forms of collectivity and political imaginaries. Her work has been shown at the Queens Museum, NY; The James Gallery, CUNY Graduate Center, NY; the Aldrich Contemporary Art Museum, CT; Yerba Buena Center for the Arts, San Francisco; the Museum of Contemporary Art Detroit; MOCA Tucson, AZ; and Eyebeam, NY, among others, and has been featured in Hyperallergic, Art in America, and The New Yorker.
She is a 2023–2025 Jerome Artist Fellow and a 2022 Artadia Award recipient, and has received support from the Foundation for Contemporary Arts, the Rema Hortman Foundation, the Desert Humanities Institute, and the Leonardo–ASU Planetary Health Research Seed Grant at Arizona State University. She is an inaugural artist-in-residence at ASU’s Water Institute, where she collaborates with hydrologists, climate scientists, and students
✉️ info@talikeren.com