Tali Keren is a research-based multidisciplinary artist and filmmaker working across installation, experimental documentary, and public engagement. Rooted in collaboration, pedagogy, and cross-disciplinary dialogue, her practice explores the spectrum of political imagination—from the oppressive to the emancipatory—working toward new forms of collectivity and knowledge production.
Her work has been exhibited at the Queens Museum, New York; The James Gallery, CUNY Graduate Center, New York; the Aldrich Contemporary Art Museum, Connecticut; Yerba Buena Center for the Arts, San Francisco; the Museum of Contemporary Art Detroit; MOCA Tucson, Arizona; and Eyebeam, New York, among others. Her work has been featured in Hyperallergic, Art in America, and The New Yorker.
Keren is a 2023–2025 Jerome Hill Artist Fellow and a 2022 Artadia Award recipient. Her work has received support from the Foundation for Contemporary Arts, the Rema Hort Mann Foundation, the Desert Humanities Institute, and the Leonardo–ASU Planetary Health Research Seed Grant at Arizona State University. She has participated in residencies at ISCP, NARS Foundation, and BRIC's Brick Workspace, and is an upcoming Jerome Foundation/Camargo Foundation Resident.
She is the inaugural Artist-in-Residence at the Water Institute at Arizona State University, where she collaborates with hydrologists, climate scientists, and students. During the residency, she is developing Water/Power, a multi-chapter project examining water infrastructure, climate adaptation, and community resilience at the intersections of art, science, and policy, with the aim of advancing environmental and social justice.