Tali Keren is a multidisciplinary artist and educator based in Brooklyn. Her performances, videos, installations  center on the formation of political ideology, historical mythologies, and the ongoing legacies of settler colonialism. In her social-based practice, she foregrounds transdisciplinary dialogue and experimental pedagogy as a way to imagine and work towards equitable futures and repair. Keren’s recent solo exhibitions were shown at the Museum of Contemporary Art, Detroit, The James Gallery, CUNY Graduate Center (forthcoming), Eyebeam, New York, at the Center for Contemporary Art, Tel-Aviv, and Ludlow 38, MINI Goethe Institute, New York. Keren works in collaborations with artists, legal scholars, and grassroots organizations. She has exhibited and performed her collaborative and solo  projects with the Queens Museum, New York; Tallinn Photomonth Biennale; the Whitney Museum of American Art, New York; Anthology Film Archives, New York; the Museum of the Moving Image, New York;New York; Tel Aviv Museum, Tel Aviv, Socrates Sculpture Park, New York; the Jewish Museum, New York; Museums Quartier, Vienna; Kunsthal Charlottenborg, Copenhagen; the Israeli Center for Digital Art, Holon; Herzliya Museum of Contemporary Art; and on the screens of Times Square as part of Time Square’s Arts Midnight Moment. Her work has been written about at Art Forum, The New Yorker, The New York Times, Vice, Hyperallergic, and Flash art. Keren received her BFA in 2009 from the Bezalel Academy of Art and Design, Jerusalem, and earned an MFA from Columbia University, in New York, in 2016. She was an artist in residence at Art Port, Tel Aviv, ISCP, NARS Foundation, and BRICworkspace, New York. Keren is currently an artist in residence at the Queens Museum, New York.

CV